Best fucked up books -

The 8 of Spades

This Is Our Church, These Are Your Sins.
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My main social group circulate book after book to each other, and the only book I've had any of them complain about was The Conspiracy Against The Human Race by Thomas Ligotti, mostly the complaints were that it was too dark or unsettling to finish reading. I think the author is actually trying to disturb and alienate his readers.

"The Conspiracy against the Human Race is renowned horror writer Thomas Ligotti's first work of nonfiction. Through impressively wide-ranging discussions of and reflections on literary and philosophical works of a pessimistic bent, he shows that the greatest horrors are not the products of our imagination. The worst and most plentiful horrors are instead to be found in reality. Mr. Ligotti's calm, but often bloodcurdling turns of phrase, evoke the dreadfulness of the human condition. Those who cannot bear the truth will pretend this is another work of fiction, but in doing so they perpetuate the conspiracy of the book's title."

--David Benatar, author of Better Never to Have Been: The Harm of Coming into Existence; Department of Philosophy, University of Cape Town, South Africa

I had already owned his My Work Is Not Yet Done, but I bought this book right after I read your post. I've never read anything that speaks to me like this does. I'm one of those people who virulently hates when people mark in books, but I've been leaving asterisks all over this thing. I feel like I've found my bible and I truly appreciate you letting me know about this book.
 
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uncleShitHeel

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I don't even think American Psycho is worth a read unless you can tolerate lists of '80s designer brands (Oliver Peoples glasses) mixed with torture porn. I love the movie, though.
Haha reminds me off the day my brother turned 18 and bought that book. He was so excited.

He showed my mother, who flipped through it, called Brett Easton Ellis an exceptional individual and told my brother that if you're going to read horror at least read something thats at least interesting and well written.
 

BrunoMattei

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Haha reminds me off the day my brother turned 18 and bought that book. He was so excited.

He showed my mother, who flipped through it, called Brett Easton Ellis an exceptional individual and told my brother that if you're going to read horror at least read something thats at least interesting and well written.
Weird. Because the book doesn't describe Bateman's murders until a little over 100 pages in.

It actually makes me wonder that if the book didn't have a reputation and Ellis didn't have the acclaim that he had at the time if anyone would have cared? Because those 100 or so pages are just about yuppies acting like yuppies.
 
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uncleShitHeel

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Weird. Because the book doesn't describe Bateman's murders until a little over 100 pages in.

It actually makes me wonder that if the book didn't have a reputation and Ellis didn't have the acclaim that he had at the time if anyone would have cared? Because those 100 or so pages are just about yuppies acting like yuppies.
Wouldn't know. I've only seen the film. I can assume she'd read it previously which wouldn't surprise me.

Also spent the last 45 minutes reading the eyes. No wonder that dude self-imolated at age 37.
 
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tasty murder burger

If moths had eyes, would they be happier?
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I'm not as diversely read as a lot of you guys, but agreed with the above from what I have read. TBH my book collection just looks like the literature section in Fopp because I'm stupidly generic but like to think I'm cultured.

However, a real fucked up read is The Seven Days of Peter Crumb by Jonny Glynn, however, it almost feels like it's trying very hard and is almost too transgressive and too postmodern. Geek Love by Katherine Dunn is also super creepy, when I first started reading it I wasn't so sure but the book just gets creepier and creepier. I recommend both.
 
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GethN7

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I again have to thank @Francis E. Dec Esc. for introducing me to some messed up literature, just finished John Ross' Unintended Consequences, and while it definitely deserving of it's listing in this thread, it has some interesting deviance from the usual genre of "Walter Mitty-esque loons succeed in overthrowing the evil gubmint" that crap like Rawles sov cit fantasy, William Luther Pierce's Turner Diaries, and even bible thumper equivalents like the Left Behind Series (which is pretty fucked up in and of itself).

The plot is basically a fantasy where gun nuts succeed in getting all restrictions on guns all over the US (alongside severe muzzling of several organizations small government types despise tossed in to make it even better) by a successful protracted campaign of murder and terror that eventually causes the the president to pussy out, cave to terrorists, and eventually sell out the United States to the demands of the gun nut loons who have been killing three letter agency people left and right (alongside a shitload of congress critters), though it's oddly given a somewhat sympathetic portrayal, the president just wants the bloodshed to stop and all attempts to stop it prior have utterly failed.

However, it deviates from the usual tropes the other books I mentioned brought up:


1. For starters, unlike the other books, which require the bad guys to take massive drops in IQ whenever the plot demands the heroes win, the antagonists never become utter incompetents to the point they should die of fatally low Intelligence scores, at least not to the degree similar fiction requires. While they are still somewhat stupid since the plot clearly has to end in victory for the lunatics, the antagonists do figure out most of the decentralized terror schemes and eventually put together most of the pieces of how all the people who get killed occur, they just tend to be a bit too slow to make good use of the information, but their technical competence remains shockingly high.


2. Of all the hoary extremist lunacy fiction I've read, the writing is actually quite competent in a literary sense. Rawles wrote a glorified survival manual/political tract in the guise of a novel, as did Pierce, and the Left Behind series follows a very clear checklist of events full of cliches.

This story by comparison has an interesting use of starting in the past to build up to why the gun nuts are pissed (including the usual bitching about 1930's government expansion and hatred of FDR as a commie), reviews past legal decisions that increasingly piss off the gun loons from the early 1900s to present day of the actual story, and manages to shift between multiple perspectives to give a well rounded view of the story angles.

It does taper off in quality after awhile, Ross seems to have phoned it in later in the work with the perspective switching on occasion, but the actual literary quality is quite good for a work of this genre.


3. The main antagonist is Special Agent Alex Neumann of the FBI, and oddly, especially for a work of this genre, he's portrayed mostly sympathetically. He's very sympathetic to the gun loons, but he's still honor bound to do his duty and arrest them for murder and terrorism.

Him aside, the ATF, EPA, and CIA get hit with every evil cliche you can think of, and it isn't until the very end of the book our hero antagonist loses even a little sympathy and just wants the gun nuts caught because he's pissed. But even then it's pretty understandable, one of his friends got killed by them and after all the bloodshed he's failed to stop it's become pretty personal.



4. Weirdly, the book seems have a schizophrenic take on Jews. While rarely embracing outright Jew hatred, they get involved in leaning on the government to shut down the terrorists claiming several dead Jewish victims of the lunatics make this a hate crime and are shown to have some pull in getting themselves kept in the loop on the investigation, but Ross seems unwilling to just go full blown unapologetic bigot like Pierce did with the Turner Diaries, instead taking the approach Jews are obstructionist jackasses who make everything about them most of the time,

Regardless, Jewish people at best get a highly cynical portrayal despite the author briefly conceding Hitler was a bit of an asshole to them.



5. The main thrust of the book is that it's fine to kill cops if they are corrupt and enforcing corrupt laws, and the bloodshed should not stop until the corrupt laws are abolished. Further, cops in general get a pretty crappy portrayal, shown to be perfectly capable faking evidence (including one who makes fake child porn), running roughshod over due process, and generally taking the position that while the profession itself is not completely without redemption, a mass culling of it's shittier members, even if done by murder, that would be a good idea.



6. Overall, one of the main themes is that small government is best government, and a tortured interpretation of how the Civil War was started is used to justify things, naively stating had slavery been allowed to die out due to economic exhaustion, war could have been avoided, while conveniently skipping over historical fact that the South had, by the time of the 1860s, been looking for any excuse to secede and start shit (in fact, they had since 1850s, and just barely averted due so due to the Compromise of 1850 delaying the inevitable by a decade or so).

More tortured nonsense taken from the same well all extremist literature draws from is used to justify any and all acts of murder, arson, and terror against the enemy, and while Ross doesn't make it all look morally jusitifed (sometimes he just makes the killings look brutal and even the killers have brief moments of honesty where they admit their hands are bloody and it's just pure spite at times), the end goals somehow make the means A-OK in the long run according to the in universe logic of the lunatics.
 
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Francis E. Dec Esc.

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I again have to thank @Francis E. Dec Esc. for introducing me to some messed up literature, just finished John Ross' Unintended Consequences, and while it definitely deserving of it's listing in this thread, it has some interesting deviance from the usual genre of "Walter Mitty-esque loons succeed in overthrowing the evil gubmint" that crap like Rawles sov cit fantasy, William Luther Pierce's Turner Diaries, and even bible thumper equivalents like the Left Behind Series (which is pretty fucked up in and of itself).

The plot is basically a fantasy where gun nuts succeed in getting all restrictions on guns all over the US (alongside severe muzzling of several organizations small government types despise tossed in to make it even better) by a successful protracted campaign of murder and terror that eventually causes the the president to pussy out, cave to terrorists, and eventually sell out the United States to the demands of the gun nut loons who have been killing three letter agency people left and right (alongside a shitload of congress critters), though it's oddly given a somewhat sympathetic portrayal, the president just wants the bloodshed to stop and all attempts to stop it prior have utterly failed.

However, it deviates from the usual tropes the other books I mentioned brought up:


1. For starters, unlike the other books, which require the bad guys to take massive drops in IQ whenever the plot demands the heroes win, the antagonists never become utter incompetents to the point they should die of fatally low Intelligence scores, at least not to the degree similar fiction requires. Wile they are still somewhat stupid since the plot clearly has to end in victory for the lunatics, the antagonists do figure out most of the decentralized terror schemes and eventually put together most of the pieces of how all the people who get killed occur, they just tend to be a bit too slow to make good use of the information, but their technical competence remains shockingly high.


2. Of all the hoary extremist lunacy fiction I've read, the writing is actually quite competent in a literary sense. Rawles wrote a glorified survival manual/political tract in the guise of a novel, as did Pierce, and the Left Behind series follows a very clear checklist of events full of cliches.

This story by comparison has an interesting use of starting in the past to build up to why the gun nuts are pissed (including the usual bitching about 1930's government expansion and hatred of FDR as a commie), reviews past legal decisions that increasingly piss off the gun loons from the early 1900s to present day of the actual story, and manages to shift between multiple perspectives to give a well rounded view of the story angles.

It does taper off in quality after awhile, Ross seems to have phoned it in later in the work with the perspective switching on occasion, but the actual literary quality is quite good for a work of this genre.


3. The main antagonist is Special Agent Alex Neumann of the FBI, and oddly, especially for a work of this genre, he's portrayed mostly sympathetically. He's very sympathetic to the gun loons, but he's still honor bound to do his duty and arrest them for murder and terrorism.

Him aside, the ATF, EPA, and CIA get hit with every evil cliche you can think of, and it isn't until the very end of the book our hero antagonist loses even a little sympathy and just wants the gun nuts caught because he's pissed. But even then it's pretty understandable, one of his friends got killed by them and after all the bloodshed he's failed to stop it's become pretty personal.



4. Weirdly, the book seems have a schizophrenic take on Jews. While rarely embracing outright Jew hatred, they get involved in leaning on the government to shut down the terrorists claiming several dead Jewish victims of the lunatics make this a hate crime and are shown to have some pull in getting themselves kept in the loop on the investigation, but Ross seems unwilling to just go full blown unapologetic bigot like Pierce did with the Turner Diaries, instead taking the approach Jews are obstructionist jackasses who make everything about them most of the time,

Regardless, Jewish people at best get a highly cynical portrayal despite the author briefly conceding Hitler was a bit of an asshole to them.



5. The main thrust of the book is that it's fine to kill cops if they are corrupt and enforcing corrupt laws, and the bloodshed should not stop until the corrupt laws are abolished. Further, cops in general get a pretty crappy portrayal, shown to be perfectly capable faking evidence (including one who makes fake child porn), running roughshod over due process, and generally taking the position that while the profession itself is not completely without redemption, a mass culling of it's shittier members, even if done by murder, that would be a good idea.



6. Overall, one of the main themes is that small government is best government, and a tortured interpretation of how the Civil War was started is used to justify things, naively stating had slavery been allowed to die out due to economic exhaustion, war could have been avoided, while conveniently skipping over historical fact that the South had, by the time of the 1860s, been looking for any excuse to secede and start shit (in fact, they had since 1850s, and just barely averted due so due to the Compromise of 1850 delaying the inevitable by a decade or so).

More tortured nonsense taken from the same well all extremist literature draws from is used to justify any and all acts of murder, arson, and terror against the enemy, and while Ross doesn't make it all look morally jusitifed (sometimes he just makes the killings look brutal and even the killers have brief moments of honesty where they admit their hands are bloody and it's just pure spite at times), the end goals somehow make the means A-OK in the long run according to the in universe logic of the lunatics.
One big fan of Unintended Consequences was Timothy McVeigh. He said, "If people say The Turner Diaries was my Bible, Unintended Consequences would be my New Testament. I think Unintended Consequences is a better book. It might have changed my whole plan of operation if I'd read that one first."
 

Tragi-Chan

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Breakfast of Champions by Kurt Vonnegut is pretty weird. The basic plot is about this businessman going nuts while a science fiction writer prepares to give a speech, but it goes off in weird directions. Vonnegut himself appears and starts screwing with reality. Vonnegut’s straightforward prose style somehow makes it stranger.

VALIS is probably Philip K. Dick’s weirdest book, and this is Philip K. Dick we’re talking about. It feels at times like the rambling of a schizophrenic, dealing with ancient conspiracies, mind control, metafiction, aliens and all sorts of crazy stuff.

Flann O’Brien is fun. His stuff is kind of Kurt Vonnegut meets Father Ted. Bizarre but funny.
 

Ubiquitous

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I haven't read this one yet, but I heard about it yesterday: Nothing by Jann Teller.

Basically, this kid comes to the conclusion that nothing matters, that we're all gonna die eventually and blah blah blah. He decides to climb up a tree and refuses to come down. His friends and classmates try to convince him to come down by presenting him with things that are meaningful - this escalates into some very disturbing items like dead animals and bloodstained bedsheets.
 
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uncleShitHeel

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Who wrote these? I can't find the author of either of these books and I can't really find the books themselves.

Its in the first post. I would say enjoy but I know you won't.
 
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Baldur's Gait

Huh, you're a queer fellow!
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Literally typed into Google "The Consumer PDF" and this came up. Sad!
I guess I assumed it was the same guy who wrote The Eyes since you recommended it to @uncleShitHeel after he mentioned The Eyes. I couldn't find The Eyes (at least not the one he was talking about) so I wasn't sure what to look for
 

An Sionnach Seang

Russell Greer audiobook in profile
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Last Exit To Brooklyn by Hubert Selby Jr. is hard going; it shows the underbelly of Brooklyn in the 50s and early 60s, a world that no longer exists now it's been gentrified, and it's full of petty criminals, dopes, fairies, and other degenerates who live in squalor, make nothing of their lives and fuck other people over
it's partly the subject matter and his utterly unique writing style, which reads like somebody telling you a story, makes no distinction between the dialogue and the narrative, and contains no apostrophes whatsoever
the most powerful parts are where he leaves the details to your imagination, e.g. the end of "The Queen Is Dead", where it comes to an abrupt end, with not one word describing what's happened but you just know what it is
one of the longer stories ("Strike") is about Harry Black, a union leader who is fighting for a noble cause but is an utterly repulsive little man, for whom the most positive emotion you can muster is pity
the last one ("Landsend") is about a then-new housing project and the lives of its residents - even in the early 60s it was clear that these projects were becoming hell-holes and effectively prisons
mind you, it does have a few funny bits; the sections about Vinnie and Mary, an Italian-American couple who are constantly yelling at each other, are written in full caps

MARY STARED AT JOEYS HEAD WHEN VINNIE TOOK THE BOYS HAT OFF. SEE, NOW HE LOOKS LIKE A BOY. NOT LIKE SOME GODDAMN SISSY. MARY LOOKED AT JOEYS HEAD. YOU SONOFABITCH. LOOK WHAT YADID. WHATTA YAMEAN WHAT I DID. I DIDNT DO NOTHIN. I TOOKIM FOR A HAIRCUT. WHATSZAMATTA, YOU DONT LIKE THE HAIRCUT? YA SONOFABITCH, YA CUT ALL HIS HAIR OFF. ALL THE NICE CURLS HE HAD, YA CUTEM ALL OFF. HE LOOKS LIKE HES GOTTA BALDY. AW SHUT YAMOUT. YEAH? HE AINT GONNA TAKE NO MORE HAIRCUTS, joey went to his room. YA STAY AWAY FROM ME YA SONOFABITCH. YA TINK SO, EH? I/LL BREAK YA FUCKIN LEGS. GO AHEAD. GO AHEAD. I/LL KILLYA. MEEE, SHES REALLY ASKIN FORIT. YEAH? YOULL SEE. YOULL SEE. JUST TRY. I/LL CUTCH YAFUCKIN COCK OFF. WHOSE COCK YOULL CUT OFF, EH? WHOSE? YA CRAZY FUCK I/LL BREAK YA FUCKIN LEGS. VINNIE SHOOK HIS HAND IN MARYS FACE THEN TURNED AWAY AND SLAPPED HIS FOREHEAD, MARONE AME, WHATTA IDIOT, AND WENT OUT TO THE KITCHEN AND HEATED THE COFFEE. MARY WENT INTO THE KIDS ROOM AND PICKED JOEY UP, HOLDING HIM AT ARMS LENGTH FROM HER AND A LITTLE OVER HER HEAD, TURNING HIM TO LOOK AT ONE SIDE THEN THE OTHER.

Flann O’Brien is fun. His stuff is kind of Kurt Vonnegut meets Father Ted. Bizarre but funny.
his first, At Swim-Two-Birds (1939), is mental in a brilliant kind of way; it starts with three different beginnings, and becomes a multi-layered narrative including fictional characters rebelling against their author by keeping him drugged and permanently asleep, while they live their own independent lives, figures from ancient Irish mythology as characters (Finn mac Cool, the Pooka), and all the narratives end up merging into each other
the best bits are the conversations between Lamont, Shanahan and Furriskey, as it's written in Dublin dialect and they talk exactly like real people would in the situation
 

Fangsofjeff

♡ rətard ♡
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Geek Love, by Katherine Dunn, is about a family-owned carnival in which all the kids have been intentionally made into freaks for the sideshow tents (by the mother taking various substances that cause birth defects). Their sociopathic eldest son, who has flippers instead of arms and legs, performs swimming routines in a tank of water and ends up creating a cult of followers who amputate healthy limbs to become more like him.

Never Let Me Go, by Kazuo Ishiguro, is about a group of young people who grew up at a boarding school together, and what happens to them as adults. However, they're not normal kids; they're clones, created and raised and socialized to be living organ donors, "gifting" various parts of their own bodies, and with the knowledge that they will all die at a young age by giving their final "gift." The whole story is told in such a calm, measured way, with such subtlety, that the true horror of it all doesn't really catch up to the reader until late in the game. It's a beautiful, haunting, heartbreaking book, in which the horrors are completely normalized and the fate of the characters inevitable.
I just finished Geek Love. Boy, that was a wild ride. It's 110% fucked up, but it's also really well written and you get attached to the characters. I'm sad to be done with it. Thank you so much for recommending it. Here's some cute art of the Binewski family that I found on google.

698403
698405
 
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ApatheticViewer

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Glamorama. Complety ripped off by Zoolander

Victor Ward is a doofus male model that gets sucked into a terrorist organization run by models. Theres constant bomb attacks and scenes of torture

Book climaxes on a plane crash. Where it describes everything in horrible bloody detail
 

BrunoMattei

Vincent Dawn
True & Honest Fan
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Holy fucking jesus! I forgot to mention this one:

744026


Mother Fuckers: The Auschwitz of Oz.

https://www.amazon.com/Motherfuckers-Auschwitz-Oz-David-Britton/dp/086130098X

Think George Orwell meets William S. Burroughs meets Sade meets the Aristocrats joke. It is a very extreme alternate history book examining the Holocaust in ways not previously thought of. Including a chapter where a happy little talking car ala Herbie the Love Bug visits the Dachau death camp.

This is only part of a series too. It's a series staring Lord Horror where there's more books, comic books, albums, and even an indie film.



http://www.savoy.abel.co.uk/HTML/bstabb.html

There's a whole legacy of work that's sadly underrated. Dive in.

Here's a sample chapter:

https://supervert.com/essays/horror-panegyric/motherfuckers-auschwitz-of-oz

IN THE despairing hiatus before midnight, Doctor Mengele's dog-boys set up a howling metronomic beat. Slapping their haunches in a rhythmic mantra on the wooden floor of their shed their canine throats whined a prolonged a cappella falsetto which, as Ecker dryly observed twenty years on, was later perfected and made bearable by the Rivingtons. Meng had been kept awake for hours and was not in a good mood. With his sulphurous-red knife unsheathed he had sidled into their barracks and without issuing a sound skinned a big dog-boy by the name of Bundalo. He had hung its slippery pelt above their door.

"If I hear so much as another fart," the half-man slithered his exposed penis across the rickety wooden walls and held up a gnarled finger, "this goes up the arse it comes from."

A grievous beast, walking upright on its powerful hind legs, bared its fangs at Meng. "Another night, Twinboy." Its words implied a finality, but Meng lingered a busy few minutes to make his point, then left with the severed leg of the dispatched dog-boy tucked in his belt. A morsel to nibble on during the coming day.

The deviant strain of miradors had learned to fear the Meng above all creatures in Auschwitz save for Dr Mengele, the Angel of Death. At the hands of the half-man, many of their brothers lay buried beneath the red clay of the camp's compound.

From the other side of night's creep the grotesque land of Auschwitz thrilled into a golden fantasia, and the killing machines of Birkenau buzzed with urgent fire.

Lines of waiting dog-boys, their top-heavy bodies bunny-hopping together in a mincing formation, came arrogantly into the dawn light. In a nonce's prowl their thick back legs churned up the red mud until it ranked in vast tiers of bones and excrement. When the dog-boys travelled beneath the arced illuminated sign, 'Arbeit Macht Frei', a myriad fairy mode lights exploded over their dipping forms.

Equidistant between the two miles which separated Auschwitz from Birkenau the dog-boys began to move their ungainly jaws in a hideous sucking and blowing melody that was just about discernible as Schubert's melancholy Opus 6. When the approaching trains logged into Birkenau and the crowds of Jews, gypsies, giants and dwarves were unloaded onto the mud compound, the dog-whistling grew into an atonal shriek.

Like a monster on the edge of a dream (as Ben Hecht would have said) Doctor Mengele would make his first appearance of the day. He quickly took up the whistling melody, adding to it a new note of order which the pack mimicked hesitantly. Soon, the whole assembly would be whistling a mad, hellish cacophony.

When the Doctor idly flapped his folded white gloves against his palm, silence fell instantly, and the rows of immigrants herded forward in a shuffling gait. Loudspeakers crackled to life as a tape-loop playing Lohengrin piped its power chords through the camp, and the dog-boys sank their victims indiscriminately into the killing grounds. Hued smoke spread from chimney to chimney and the Mussulmans — the half-dead — rose from their shallow bunks and set about the day's task of aping life.

Ecker often stood for hours watching the eddying lines of humanity, the pitching sodium flames billowing from tall chimneys, his lips pursed, the terrible smell of cooking impregnating every cranny of his thin body.

Nobody knows how it feels to put a child into the ground. Unaccustomed tears would come to Ecker. Every monster imagined by mankind had died and was reborn a hundred times more terrifying in the concentration camps of Bergen-Belsen and Dachau. Around him, the saddest sights in the world had metamorphosed their image onto every man and woman on the earth. He and his brother had, in the truest sense, been birthed in those years of chaos. He had always been a vegetarian. But after Birkenau, he had turned vegan.

Ecker was a natural ectomorph, his temperament pragmatic. Above his bunk in the mutation barrack hung his philosophy — '"Only those who adapt to change survive" — Charles Darwin.' Science under Hitler, 'thanatology' (the science of death), named after Thanatos, the Greek spirit who personified Death, had resulted in 'Mengele's Children' — a melisma of dwarves, hunchbacks, twins, gypsies, esoteric cripples and anything in the spectrum that passed for humanity in Mengele's oneiric dream.

On an overcast day he came across a child holding a tiny green dragon in her frail arms. So much blood had been taken from her she looked as white as the winter snow which covered Auschwitz. Bones were visible beneath her rags. The dragon was slowly bleeding to death from cuts inflicted by the camp's barbed-wire fence. The girl was smiling; to see a dragon was lucky. Legend had it that to see a dragon was a sign that a missing loved one still lived. She placed it on the ground and it ran in a weaving hop across the stony compound, vanishing beneath a wooden hut. Still smiling, the girl walked on.

Though dragons appeared infrequently, such anomalies were not unknown in the camps. In the summer of '42, Ecker had witnessed a fall of blue-and-red hoarfrost which had metamorphosed Birkenau into an enchanted glade, a Christmas card of flickering fires, spiralling chimneys and winning splendours, transforming the Auschwitz Movie House (showing a Monte Hale western that week) into a fitting palace for the Son of the Redeemer.

One night a mad wind from Treblinka had blown in a flock of succubi. They landed on the roof of a long hut, flowing locks of vermilion hair surging around the open vaginas in their necks. An ague shook through Ecker as he had watched the visitation. They were passing a blind man between themselves.

He sometimes thought Dr Mengele too was a visitation, a glorious being from some malign planet, Captain Eugenic from Mars, or an houri from the dark side of the moon. They called him the 'Twins' Father', and so he was, until he had given them to Lord Horror. Of their real father, there was just a distant memory, ephemeral and euphoric, though at times, like the rising of the full moon, Meng had insisted that Joseph Merrick — the Elephant Man — was his true parent.

Ecker shrugged his thin frame. There were two forms of theatre — comedy and tragedy. Meng was comedy. Ecker was tragedy, or at least its nearest relation.

"Shitfire!" exclaimed Meng, clambering over a carefully orchestrated trajectory of corpses. His fat bulk wobbled. "Fuck a duck..." He skidded to a halt in front of an SS guard "...Goofy, is that you?" From inside the brick crematorium a wind-up gramophone began to playa selection from Strauss's Die Fledermaus.

The guard looked pityingly at the half-man and said, "Wein witch fra mine." With a pig stick he swiped Meng across the head. Meng broke the man's back and deposited the body, minus its black boots, among the hill of dead.

"Here..." He stopped a Sonderkommando "...have you heard thisone?" Meng scratched his groin, trapping an earthworm with his thumb and squashing it on the inside of his hairy leg. "Two white men walking through the jungle and they see a lion licking another lion's arse. One of the white men says, 'Isn't that a bit unusual?'

'''Not really,' replies the second. 'It just ate a nigger and it's trying to get the taste out of its mouth!'"

The man looked uncomprehendingly at Meng. That morning he had buried a field of dead children waist deep in the earth. In an open wind their bodies had moved like rooted serpents under the nacarat sun.

"You dozy cunt!" shouted Meng, exasperated by the Sonderkommando's lack of response. "You can laugh, it's a fucking joke."

"Please, have you any food?" The man held out his hand.

"You what?" Meng asked incredulously, drawing his body up to its full height. "I take the time to give you a fucking laugh — and you want a bleeding hand-out!" He cracked a loud fart. "You're too cheeky by half." He yanked out a rat-tail that had lodged in his back teeth. "Here, chew on that." Disgustedly, he marched off.

Meng waxed philosophically. "I can look into a face and know if it should die." Beneath his feet the earth was a yellowish clay. Concrete pylons stretched in even rows to the horizon, barbed-wire strung between them from top to bottom. Crudely painted signs warned that the wires were charged with high-tension currents. "I can know," he continued, "if it's ever going to amount to anything. And if it doesn't pose a threat, the next thing I ask myself... Does it deserve to live?" Inside the enormous squares bounded by the pylons stood hundreds of barrack-huts, covered with green tar-paper and arranged to form a long rectangular network of streets as far as the eye could see. "And if I let it live, will it be of any use? Will it just be taking air from me?" A watchtower of emerald and jade stood in the centre of Auschwitz. From its cruel eye two strobe-lights flooded the camp with flashes as red as the ichor of salamanders. Now Meng stood for a minute in its thrill, his clothes shimmering like the scarlet wattles of dragons. After the operation Doctor Mengele had told him, "With my assistance, you will be the sexiest man on earth. Are you ready for that responsibility?" Meng had assured him he was more than up to the job, adding, "Any chance of giving me a two-foot dick...or two cunts...or both?" His nipples had stood out as firm as corn cobs.

Up jumped a big frog.

The length of a stick is infinite.

Auschwitz, thought Ecker, is a semaphore from the past that spelled future.

Fifty years on, Horror had confided to Ecker, Auschwitz would be a recognisable brand name, a mythic character as well-known as Sherlock Holmes or Tarzan. A fortune awaited the author who could bring 'Mr Auschwitz' to life. To recreate the persona of Auschwitz would be an ordained mission. Auschwitz, the holy end-all of life's futile pattern, slinking through the subconscious of humanity, the one archetypal riff common to all nightmares, fuelled on the anvil of little Richard.

In a hundred years, Auschwitz would form its own genre and become the most successfully marketed product in the history of the world, a name as well known globally as Coca Cola, taking all media under its encompassing umbrella. The camps were the obvious ultimate enclosed world, the desired image of world television, beamed by satellite into each city, town and village, ideal for community soap operas (a story of everyday life on the edge of life), of science fiction time travel (travel back through your life and end it in Auschwitz). In this televised scenario the dog-boys loomed large as Heathcliff doomed lovers, the spice of sexy bodice-rippers which thrilled millions of women. Guilt would never stand in the way of commerce, assured Horror, his cobra eyes stealing the dark.

Sex and death, the Lord's calling card. Horror warmed.

On a day trip to Buchenwald, two thousand Hasidic Jews pulled a char-a-banc full of dog-boys. Petrol was rationed, and progress was slow. The dog-boys were understandably irritated by the speed of the journey. One dog-boy, barking mad and firing on all cylinders, ripped the heads off a dozen Jewesses, eventually finding one that tasted of lemon meringue. Party hats were well in evidence, hanging jauntily from their slanted heads. Eight of them clambered on to the vehicle's roof and began to rock it from side to side, cheering cockily at the Austrian peasants whose villages they travelled through, beating them about the shoulders with dead Bengal monitor lizards.

Meng and Ecker had been put on the bus to keep order. Meng had his work cut out. Strolling down the aisle he forked-in an eye here, a neck there, but to little avail. A mad, gleeful chaos ruled.

"OK. Any black dogs on board?" Meng gave a couple of sharp yelps and banged his foot twice. "Come on, come on, just one Le Petite Negra Dawg."

A stocky dog-boy, suffering from eczema, lurched from its seat and let slavering jaws dribble over the half-man. Its tongue rolled out thick and fat. "Fuck off back to Dachau," it barked.

By way of reply Meng gripped its jaws and slowly levered them open. "See if this fits." He issued a series of loud piercing whistles. He spoke directly into its mouth. "This chap went up to a nigger who had two burning tyres around his neck. The chap says, 'For fuck's sake, take one off! Never mix cross-plies with radials'."

A roar of approval went round the bus.

The snap of jawbone ricocheted, triggering another burst of applause. Meng hurled the dog-boy's carcass through an open window. It hit a telegraph pole where it hung, upside-down, until its head decomposed. Slapping Meng good-naturedly on his back, a breed growled in anticipation. "You stuffy sod. "

"Chances are you're not wrong," Meng nodded matter-of-factly.

Halfway to Buchenwald, Ecker retired to the toilet with a melon and a basket of apples. From the confines of the latrine he could hear the whole bus singing in German, 'It's a Long Way to Tipperary'.

Electrics throbbed in the general din. Ecker had to grip the wooden shit-house seat as the bus shook and the toilet roll began to unravel. He could smell the sweat rising from a hundred pelts and hear the savage callings of a strange vision from the shores of Lake Geneva, Wisconsin.

Swirling through the bus came 'Bop Diddlie in the Jungle' by Tommy King and the Starlites. When it faded, Flowers's cut of 'Johnny Born Bonney' banged out. For the next hour every Bo Diddley and Arfy-Darfy variation beater sucked a swath through Austria.

Attempting to distance himself from the melee, Ecker peered from between the window slats. They were crossing one of the country's large lakes and on its sheenless surface was a great raft of charred corpses. He was reminded of the Morgawr he had once sighted off the Cornish coast.

Resting his head against the slats, he let the fresh air cool him. His side still burned with pain where Doctor Mengele's surgical blade had sliced him free from Meng. If they could just stay clear of the random excesses of Mengele's menagerie, or the killing machines of Birkenau or Brzezinka, all would be well. For Mengele's predilection for collecting freaks, he thanked whatever entity watched over them. Clearly, it had saved their lives.

The day they had been railed into Auschwitz, an omnipotent being must have been alert to their potential. Their train carried Rumanian Jews, and more than the usual rich bounty of freaks — a woman with two noses, one with donkey ears, two sets of quadruped twins and a little girl who had the wool of a sheep on her head instead of hair.

He and Meng were the first twins to arrive in the camp who were physically joined together. They had stayed for hours on a deserted croft, clasped in each other's arms, until Dr Mengele had made entrance from a squall of rain. He came with a two-wheeled wooden donkey cart pushed by a Jew from Kouno. Travel stickers from the killing grounds of Chelmno, Belzec and Sobibor decorated the cart. Still clasped together the twins were lifted into it and, with Dr Mengele leading the way were pushed through flower beds fertilised by an experimental mash of human blood and ground bone.

"Zwillinge, zwillinge, zwillinge," breathed the geneticist.

Twenty yards beyond Der Weg zur Himmelfahrt ('the way to the heavenly journey'), the Jew and the cart began to sink in a seeping marsh of dirt and blood. There, Meng and Ecker were gently gathered up in Mengele's father arms and carried to the safety of his plantation. And the inhuman glow of Auschwitz KZ Death Head Kommando could be seen a hundred miles away in distant Ravensbrück.

In the weeks after their separation, Doctor Mengele had been very attentive to the twins. He bought Meng fine dresses from the House of Dior, Paris, fussing over every satin gown and velvet ribbon that incongruously draped the half-man's Minotaur-like physique. The Doctor insisted that Meng wear the brightest red lipsticks while he listened sympathetically to the twin's anguished pleas for, "a body like Mae West; a non-quitter; curves that just won't stop".

"Rest easy, young Meng. I will help you to overcome Nature's caprice. After all, that is what we men of science are here for. With our little surgeons' blades we can correct Nature's ever-wilful patterns." Then the Doctor scrubbed Meng briskly with a bar of soap made from human remains. The soap smelled of Lifebuoy. Bits of bone and grit in the Auschwitz tap water stuck in Meng's black body hair, and Mengele bent attentively to suck them off with his mouth, gripping long tufts of the waterlogged hair between his teeth. When he had finished the Doctor rested back in a wicker armchair, sated, whistling an aria from his favourite Puccini opera and then humming 'The Blue Danube' waltz.

One of Mengele's directives was to induce multiple births in the Auschwitz female twins in an attempt to repopulate the depleted German armies. In Meng, he developed the idea of incubating the first-ever male pregnancy. This had greatly interested his Reich masters, who asked for nude photographs of the half-man to be sent directly to the Führerbunker. It was later hinted that Hitler had donated a vial of his own valued semen to be implanted in the Meng.

"Fucking God forbid," Ecker had commented about the idea of a hybrid Meng and Hitler. "Haven't the niggers and the ikey mo's got enough bleeding troubles?"

Ecker had suspected that his brother's presence threw an erotic switch in Doctor Mengele's already fevered and disturbed mind. Was it purely a coincidence that the name 'Meng' was an abbreviation of 'Mengele'? The half-man had been christened 'Meng' in the mysterious years before their arrival in the death camp and, to his knowledge, the Doctor himself had never been addressed by the diminutive. There seemed to be no obvious way of accounting for the father-son bond which existed between them. No other creature benefited from the Doctor's more humane side in the land where only reality reigned cruel and great.

In Dachau a tea-party of goblins discussed the moral implications of infanticide. A Big Nose advanced the opinion that since all children tasted of either seaweed or spinach the question was in the gourmet's province.

"Dat's de stuff!" cried three wise little nigs on leave from Tiger Tim's Weekly. Their piccaninny hair all-aquiver, they offered Afrocentric advice.

"Cooks dem long," spoke up one.

"Makes dem tender," added two.

Number three licked her lips. "Never leave a scrap on your plate..."

"...and always wipe your hands after a nice meal!" they chorused together.

Subjective and inconclusive as such discussions usually are, the eternal question was left until last. "What about art and its implication and application to life?"

A berserk dog-boy with a fuzzy dyed vermilion pelt leapt onto the table and kicked over a teapot. A severed Jew hung from its slack jaw. "Fuck you and the crab you spilled from!" Dropping a spray of foul saliva over the goblins, it tore the Jew from its mouth. "Maximum effort, that's what the Doctor called for and, by fuckola, we gave it. "

[/QUOTE}
 

The 8 of Spades

This Is Our Church, These Are Your Sins.
kiwifarms.net
Holy fucking jesus! I forgot to mention this one:

View attachment 744026

Mother Fuckers: The Auschwitz of Oz.

https://www.amazon.com/Motherfuckers-Auschwitz-Oz-David-Britton/dp/086130098X

Think George Orwell meets William S. Burroughs meets Sade meets the Aristocrats joke. It is a very extreme alternate history book examining the Holocaust in ways not previously thought of. Including a chapter where a happy little talking car ala Herbie the Love Bug visits the Dachau death camp.

This is only part of a series too. It's a series staring Lord Horror where there's more books, comic books, albums, and even an indie film.



http://www.savoy.abel.co.uk/HTML/bstabb.html

There's a whole legacy of work that's sadly underrated. Dive in.

Here's a sample chapter:

https://supervert.com/essays/horror-panegyric/motherfuckers-auschwitz-of-oz
I have no idea what I just read, but I'm incredibly intrigued.
 
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