Shittus Maximus
kiwifarms.net
- Highlight
- #41
How about the Adventures of Baron Munchhausen? I loved that movie since I first saw it.
Batteries Not Included was also fun
Batteries Not Included was also fun
All those "arthouse" indie genre flicks, usually foreign, from the mid to late 2000s that were usually known for being really violent and really edgy that I used to read about on Ain't It Cool News, movies like High Tension, Martyrs, Frontier(s), Inside, Timecrimes, Let The Right One In and A Serbian Film, they all seem pretty forgotten today.
The only one I actually bothered to watch was Timecrimes and it was actually pretty awesome and not nearly as extreme as some of those other movies, with a lot of fun, mind bending time travel shenanigans, it was slated to get a Hollywood remake but sadly never did.
The "arthouse horror" subgenre still continues on to this day with movies like Hereditary to be fair, but they don't seem to be quite as extreme with the gore.
I guess A Serbian Film is still pretty infamous, but most of those others movies seem forgotten today.A Serbian Film is still remembered mainly because it's way too shocking to forget and was extreme even by the standards of avant-garde extreme horror cinema.
A Serbian Film is to the 2010's what Salo was to the 70's, Men Behind The Sun was to the 80's, and August Underground was to the early 2000's.
Martyrs is good and is only seen as "arthouse" because it's French and French movies always get marketed as "arthouse" in the United States.
Italian cinema's in a weird position in that Italian cinema was a major contributor to both the arthouse and the grindhouse.
The same country that gave us Bertolucci and Fellini also gave us Bruno Mattei, peplum movies, the cannibal flicks of the 70's, and the bulk of the zombie genre in the 70's and 80's.
Then you've got the movies that freely blend the arthouse and the grindhouse mentalities, like Giallo flicks or Salo (which combined the worst excesses of both and took them to the extreme)
With Italian genre movies, there's a good rule of thumb: If it's got an English dub, it's seen as grindhouse. If it's in the original Italian and is a lavish period piece or one of the older and "classier" giallo flicks or Spaghetti Westerns, it's seen as arthouse.
I guess A Serbian Film is still pretty infamous, but most of those others movies seem forgotten today.
Oh boy, I saw that in theaters no less because I thought the premise was interesting, it was pretty lame though despite a few cool moments.Jumper (2007)
Haden Christensen and Samuel L Jackson.
Was a box office flop but has a small cult following. I thought this movie was amazing when it came out but got generally lack luster reviews and apparently I'm one of the few that thought it was exceptional.
I saw Turistas in the theater as well, I didn't really like it much but it's interesting looking back because you could absolutely not make that movie today, people would decry it as racist.True. But it does remind me of another 2000's horror trend that's forgotten: "Torture Porn" horror flicks not named Saw or Hostel.
Saw had so many sequels and largely started the trend and Hostel is a brilliant movie that helped put Eli Roth on the map, and is often seen as the Jack Daniels to Saw's Budweiser.
But you had a bunch of other movies like Turistas, which I saw way back when and that one's totally forgotten.
I remember really liking this movie as teen when I watched back in 2005, but I totally forgot it was a Robert Rodriguez movie.The Faculty is one that seems to be not remembered in recent times but I like it. It was Rodriguez's fourth theatrical film and was written by Kevin Williamson. Had an ensemble of 90's stars like pre-frodo Elijah Wood, Clea DuVall, Jordana Brewster, Josh Harnett, and...usher kinda.
Also had T-1000, Carrie's Mom, and Jon Stewart.
Dude that's a blessing. Every foreign horror remake (mostly J-horror and that atrocious Martyrs remake (which isn't nearly as hard hitting with... fucking anything) Hollywood does bends it over, rapes it, and makes it most palatable for the lowest common denominator. And I'm really not even a film snob.The only one I actually bothered to watch was Timecrimes and it was actually pretty awesome and not nearly as extreme as some of those other movies, with a lot of fun, mind bending time travel shenanigans, it was slated to get a Hollywood remake but sadly never did.
And two years later there was the movie Push with Chris Evans and Dakota Fanning, which kind of had a similar premise (character as extraordinary abilities and is on the run from a government agency).Jumper (2007)
Haden Christensen and Samuel L Jackson.
Was a box office flop but has a small cult following. I thought this movie was amazing when it came out but got generally lack luster reviews and apparently I'm one of the few that thought it was exceptional.
Lol I loved that movieOne movie I never hear anyone talk about is the Robert Rodriguez movie Shorts: The Adventures of the Wishing Rock.
This movie was like if you took the tone of Spy Kids and the general idea of The Lego Movie. It was very odd, and I don’t know if I recommend it or not.
Yeah, but supposedly the Timecrimes remake was going to be done by the original director himself and the original movie could have benefitted with a bigger budget since some of the sci fi aspects were a bit cheesy on a lower budget.Dude that's a blessing. Every foreign horror remake (mostly J-horror and that atrocious Martyrs remake (which isn't nearly as hard hitting with... fucking anything) Hollywood does bends it over, rapes it, and makes it most palatable for the lowest common denominator. And I'm really not even a film snob.
I saw that in theaters as well but only because it was on a date so I had to pick something, thankfully I didn't hate the movie, it was alright.And two years later there was the movie Push with Chris Evans and Dakota Fanning, which kind of had a similar premise (character as extraordinary abilities and is on the run from a government agency).
A friend recommended that. It felt pretty juvenile to me, lots of 3edgy5me sex and violence. I’m fine with sex and violence, but in Baise-Moi there was just nothing behind it. I found the main characters pretty unlikable too.Baise-Moi. A French rape-revenge film with hardcore sex scenes. It was making the rounds as a midnight movie back in 2001 and I was dragged along to watch it. Despite the fact that it was a violent film, it was quite boring. There's a bunch of shootings that are repetitive except for one hilariously bad scene where one of the gals shoves a gun into a guy's ass and pulls the trigger. One of the actresses was a porn star and later on committed suicide. I don't think there's much of a cult following for this flick.
I saw a preview screening of Turistas and I don’t remember a thing about it apart from I think someone getting their organs removed.But you had a bunch of other movies like Turistas, which I saw way back when and that one's totally forgotten.
This definitely qualifies. I forget it every so often and then it comes back at random only to disappear just as fast.Flight of Dragons. It was awesome and probably ignited my lifelong obssession with the beasts.
(If you're up for it, the film is available on Youtube but the uploader had it broken into 29 short videos)