I know this doesn't come out until the 14th, but there's so much controversy about this book already I think we need to start talking about it.
The biggest thing to talk about is a spoiler, but if you've been following the news on Go Set a Watchman at all, you already know what I'm gonna talk about. That said, I'll still spoiler marker it for those of you who've been good at avoiding the news:
Another matter I think warrants discussion is just what kind of book this is. Many call it a sequel, but I don't really see it as such. And not because of the nature of the books conflict.
What people have to remember is that this book was written before To Kill a Mockingbird, and released unaltered from the original condition. The first chapter alone brings up a big difference in that Atticus managed to get a "not guilty" verdict for Tom Robinson. Can this really be considered a sequel when it was written as a draft before the original was published and contradicts the original in such major ways?
I don't think so, but that doesn't mean I consider the book either unworthy of release or unworthy of people's time. Rather, I see Go Set a Watchman in much the same way as I see George Lucas's release of the original Star Wars draft where Han Solo was an alien and C3PO was a sleazy used-car salesman type, although hopefully better in quality.
In fact, I don't even think the word "sequel" is appropriate in these circumstances. Rather, I think GSAW should be referred to as a "variation" on TKAM. Much like how John Coltrane's variations of "My Favorite Things" are both connected and independent of each other. Go Set a Watchman is valuable for that alone, regardless of weather or not the book lives up to the hype or causes people to think about matters outside their comfort zone.
The biggest thing to talk about is a spoiler, but if you've been following the news on Go Set a Watchman at all, you already know what I'm gonna talk about. That said, I'll still spoiler marker it for those of you who've been good at avoiding the news:
The book is about Scout's struggle with Atticus's racial prejudices. This isn't some sort of complete change where Atticus is now supposed to be a total monster. He's still the same lawyer who defended an innocent black man accused of raping a white woman and who raised his two children alone and taught them everything they know about morality. He's just a man who holds on to the old prejudices of his homeland's past because that's both the way he was brought up and he doesn't feel black people are sophisticated enough to warrant receiving liberties equal to rights, especially enforced at the hands of the feds.
Motherfuck, I don't even know where to start. On the one hand, even though he's a fictional character, I can't help but be disturbed that the book revolves around such a conflict. Atticus Finch is a hero to me regardless of the fact that he doesn't exist, so knowing the book revolves around such a nasty part of him really disturbs me.
But on the other hand, I kind of admire this being the conflict. The truth is, many of our nations, and my own, greatest heroes have quite profound dark sides directly related to this matter. Thomas Jefferson articulated the foundations of what the US should be better than anyone: he also owned hundreds of human beings; including his own children. Abraham Lincoln gave everything he had to end slavery once and for all: he also proposed those same slaves deportation as the final solution to "the Nigger Question" as it was called back in the day. LBJ used his motivation to help those who came up poor like himself spearhead some seriously powerful civil rights legislation: he also spent the first twenty years of his legislatorial career opposing those very policies and tossed around N-bombs like they were going out of style.
I really understand both sides in this. I always hate seeing the ugly side of great men even when they're not real.
I still wanna see this book. I'll reserve judgment on the quality until I read, but I'll always be happy we had the chance to peer into Harper Lee's mind like this.
Motherfuck, I don't even know where to start. On the one hand, even though he's a fictional character, I can't help but be disturbed that the book revolves around such a conflict. Atticus Finch is a hero to me regardless of the fact that he doesn't exist, so knowing the book revolves around such a nasty part of him really disturbs me.
But on the other hand, I kind of admire this being the conflict. The truth is, many of our nations, and my own, greatest heroes have quite profound dark sides directly related to this matter. Thomas Jefferson articulated the foundations of what the US should be better than anyone: he also owned hundreds of human beings; including his own children. Abraham Lincoln gave everything he had to end slavery once and for all: he also proposed those same slaves deportation as the final solution to "the Nigger Question" as it was called back in the day. LBJ used his motivation to help those who came up poor like himself spearhead some seriously powerful civil rights legislation: he also spent the first twenty years of his legislatorial career opposing those very policies and tossed around N-bombs like they were going out of style.
I really understand both sides in this. I always hate seeing the ugly side of great men even when they're not real.
I still wanna see this book. I'll reserve judgment on the quality until I read, but I'll always be happy we had the chance to peer into Harper Lee's mind like this.
Another matter I think warrants discussion is just what kind of book this is. Many call it a sequel, but I don't really see it as such. And not because of the nature of the books conflict.
What people have to remember is that this book was written before To Kill a Mockingbird, and released unaltered from the original condition. The first chapter alone brings up a big difference in that Atticus managed to get a "not guilty" verdict for Tom Robinson. Can this really be considered a sequel when it was written as a draft before the original was published and contradicts the original in such major ways?
I don't think so, but that doesn't mean I consider the book either unworthy of release or unworthy of people's time. Rather, I see Go Set a Watchman in much the same way as I see George Lucas's release of the original Star Wars draft where Han Solo was an alien and C3PO was a sleazy used-car salesman type, although hopefully better in quality.
In fact, I don't even think the word "sequel" is appropriate in these circumstances. Rather, I think GSAW should be referred to as a "variation" on TKAM. Much like how John Coltrane's variations of "My Favorite Things" are both connected and independent of each other. Go Set a Watchman is valuable for that alone, regardless of weather or not the book lives up to the hype or causes people to think about matters outside their comfort zone.