- Highlight
- #1
yet another assassin thriller
starring Silk Spectre, Nebula, Cersei Lannister, Marie Laveau, and Yu Shu Lien
Taking this year out of the equation for obvious reasons (though that includes things like Sonic the Hedgehog) I'd disagree with that. Lots of lighthearted films, they're just usually not particularly impactful. To just go with Karen Gillan, I'd hardly call the last Jumanji movie as a depressing slog. Not high art, but light and fun enough.You ever notice they only make angry and depressing movies now? It's all gritty thrillers full of death and destruction. Nothing is ever lighthearted and fun. No one ever goes on an adventure. There's never any message other than "everything is shit."
It's subtle, and even comedies do it. Allow me to draw your attention to their costuming. In the remake they are wearing 'movie people' costumes, in a high-concept, low-suspension-of-disbelief style. Their clothes are gritty, shitty, and tailored to their characters. In the original movie everyone wears clothes because they are people. Wholesome clothes which cover the little girl's flesh and doesn't make her a cheap whore for chinese audiences. In the original movie, the jokes come from the constructions of the scenes and their absurdity, and the drama comes from hoping everything turns out okay. In the remake, they make fart jokes. The original is actually more realistic and more "gritty," but it leaves me with a warm fuzzy feeling, whereas the remake makes me want to kill myself every single frame.Taking this year out of the equation for obvious reasons (though that includes things like Sonic the Hedgehog) I'd disagree with that. Lots of lighthearted films, they're just usually not particularly impactful. To just go with Karen Gillan, I'd hardly call the last Jumanji movie as a depressing slog. Not high art, but light and fun enough.


If Keanu was a 45 year old lesbian NYU professor.This is just fucking female John Wick. Stealing the story and the visual aesthetics too.
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Well, let's not kid ourselves; we'd be pirating it anyway. I can't remember the last time I went to see a movie, much less paid for one.- budget seems to be about $30M, principal shoot was in 2019 and I guess they have sat on it this year rather than release it digitally
- grrl-power port of an existing concept, but with an all-woman lead, which is right up STXFilms' niche ("original mid-budget genre flicks")
- cast packed with B-listers hot off buzzy roles; I guess they're going for name draw. I personally never feel good about pics with ensembles of "oh hey I know X" actors, it's a middling proposition and you have to pay a lot of money for it
- written and directed by 3 Israelis ("Aharon Keshales and Navot Papushado. The duo wrote the script with Ehud Lavski")
my aspie sense says it looks like a mediocre idea which got greenlit due to studio politics, and has kind of plodded along. Carnac the Magnificent predicts: it'll have middling returns domestically, make up a moderate profit overseas, but not enough that the studio's "franchise potential" for a sequel is realised.
I firmly believe that this is because Hollywood is such a vile cesspool of degradation and exploitation that the people working there can't imagine that maybe the rest of the world doesn't hold those values.You ever notice they only make angry and depressing movies now? It's all gritty thrillers full of death and destruction. Nothing is ever lighthearted and fun. No one ever goes on an adventure. There's never any message other than "everything is shit."
Eh. I mean I'm one of the few who legitimately loved Death Proof.This is gonna flop. Not because no one wants it. Not because it's a bad movie (it could be, maybe it isn't). It's gonna flop because Gunpowder Milkshake is a fucking stupid name for a movie. The neo-grindhouse trend is dead.
I firmly believe that this is because Hollywood is such a vile cesspool of degradation and exploitation that the people working there can't imagine that maybe the rest of the world doesn't hold those values.
This is why Star Trek Discovery and Star Trek Picard were so shit. The writers cannot envision a brighter, better future.I firmly believe that this is because Hollywood is such a vile cesspool of degradation and exploitation that the people working there can't imagine that maybe the rest of the world doesn't hold those values.
They don't even know how to make one if they tried. These filmmakers assume overlaying a bad film print filter and intentionally poor acting make a "grindhouse" flick.This is gonna flop. Not because no one wants it. Not because it's a bad movie (it could be, maybe it isn't). It's gonna flop because Gunpowder Milkshake is a fucking stupid name for a movie. The neo-grindhouse trend is dead.
It was okay. I got the Crown International vibe the film was giving. I liked the Zatoichi reference for what its worth.Eh. I mean I'm one of the few who legitimately loved Death Proof.