I can say with absolute confidence that this won't be negrated to hell based off residual Last Jedi butthurt. /s
You probably expected everyone who posted in this thread to have watched the trailer. Well I didn’t.
But doesn't that mean you now love this thread, since it didn't give you what you expected?No, but I did expect for everyone to shit on Rian Johnson. Please edit your post to correct this malfeasance.
No, i’m subverting expectations.No, but I did expect for everyone to shit on Rian Johnson. Please edit your post to correct this malfeasance.
A bad writer tends to be a bad writer regardless of genre.I'm glad he's finally making something that was intended as a comedy from the outset, but I'd be lying if I said it looked all that funny in this trailer.
A bad writer tends to be a bad writer regardless of genre.
Sure, Ruin directed three if the greatest TV episodes of all time (including The Fly, which is one of the funniest episodes of television ever), but thr emphasis is on "directed". The scripts were all written by actual writers, and Johnson's already admitted he's a terrible writer with bad habits who can barely get out a first draft.
He needs at least two years with daily tutoring from and actual writer, and daily time devoted to practice with an actual writer if he seriously wants to insist on inflicting his lack of talent upon society.
To give him some credit, I think that RJ is really strong in terms of directing. He directed some of the best episodes of Breaking Bad, and the shot composition was one of the few things I didn't dislike about TLJ.It looks like Clue but worse and more expensive.
Sorry faggot, you'll never beat the ending line of 'I'm going to go home and sleep with my wife'
...or, you know, just not write? Or have a writer's room? Things that directors who know they can't write do? I don't understand this. Plenty of directors can't write because by being a director you're almost entirely visual orientated, which is why a really good writer director is extremely rare. You basically have to tell a story from two angles if you're writing it, you have to visualize it as well as frame it within a narrative.
Tarantino basically doesn't write scripts, he writes novels. So he basically separates the two tasks out individually. He comes at it from a writing perspective by writing a novel, then translates his novel visually. He breaks the screen-writing format to do this. A lot of writer/directors have styles that are unique and don't really fit traditional molds. There's a reason most directors say 'fuck it' to writing.
I just get the feeling that Johnson has gotten far too egotistical and can't handle someone else controlling or dictating 'his' vision.