You know the cliche I'm talking about, the only way a plot of event can happen is for the cast to somehow lost all their senses and do something incredibly retarded.
Prometheus, King Kong:Skull island, any cheapo terror movie with a teen cast, etc.
I can't watch them anymore, it completely removes any emotional attachment and the immersion is completely broken for me.
I instead start laughing, which is what I think it wasn't the real intention of the movie producers.
I think recent movie successes like the Martian, interstellar, and Dunkirk have proven you don't need to force your characters to be temporarily insane to force a continuation of the plot or add a problem that the characters need to overcome.
Prometheus, King Kong:Skull island, any cheapo terror movie with a teen cast, etc.
I can't watch them anymore, it completely removes any emotional attachment and the immersion is completely broken for me.
I instead start laughing, which is what I think it wasn't the real intention of the movie producers.
in King Kong's skull island, Samuel jackson's character (a spec ops Vietnam officer) decides to attack a 100 m tall monkey with all his choppers (and the only way out of the island) armed with the lightest of the lightest of weapons (its a science expedition for fucks sakes), naturally it ends with literally everyone (100 people+) and all the choppers destroyed while Samuel Jackson miraculously survives to have a autistic stare down with king long in the middle of a slow motion helicopter crash around him, I shut the movie off at this point.
Prometheus: you can travel across stars but you never learned it's a bad idea to touch alien shit without gloves or a spacesuit
I think recent movie successes like the Martian, interstellar, and Dunkirk have proven you don't need to force your characters to be temporarily insane to force a continuation of the plot or add a problem that the characters need to overcome.