Racial Caricatures in French and Belgian comics -

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WonderGirl

The Wonder Girl
kiwifarms.net
I noticed that the Belgian comic book ''Tintin in The Congo'' is still kept in modern society? This book has a bad attempt at drawing black people,
They resembled blackface and have pitch black skin and big tire-shaped lips and monkey mouths.
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Also there's a one Flemish comic book called ''Sjors and Sjimmie'' where one character resembles blackface and has pitch black skin and a red monkey mouth:
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It's a good thing that they changed the character in later comics in 1975-present:
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Also, The french comic book series, Asterix is probably infamous for drawing black people with enormous lips:
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Also in a issue from Spike and Suzy, This guy was drawn with a monkey mouth:
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However, Belgian-Dutch artists were having ideas to correct the illustration:
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Here are other examples from other Flemish comic books:
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This is also from Spike and Suzy.
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This from a unknown Flemish comic book.
People from Belgium, Flanders and France need to stop drawing black people like that nowadays, it's making them looking less human and more like apes.
 

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potato fan

kiwifarms.net
I noticed that the Belgian comic book ''Tintin in The Congo'' is still kept in modern society? This book has a bad attempt at drawing black people,
They resembled blackface and have pitch black skin and big tire-shaped lips and monkey mouths.
View attachment 2159842
View attachment 2159846
Also there's a one Flemish comic book called ''Sjors and Sjimmie'' where one character resembles blackface and has pitch black skin and a red monkey mouth:
View attachment 2159850
View attachment 2159855
It's a good thing that they changed the character in later comics in 1975-present:
View attachment 2159861
View attachment 2159862
Also, The french comic book series, Asterix is probably infamous for drawing black people with enormous lips:
View attachment 2159869
Also in a issue from Spike and Suzy, This guy was drawn with a monkey mouth:
View attachment 2159879
However, Belgian-Dutch artists were having ideas to correct the illustration:
View attachment 2159880
Here are other examples from other Flemish comic books:
View attachment 2159884
This is also from Spike and Suzy.
View attachment 2159887
This from a unknown Flemish comic book.
People from Belgium, Flanders and France need to stop drawing black people like that nowadays, it's making looking less human and more like apes.
because "blackface" being an offensive carricature is a very recent and very american-centric social norm, it was not considered offensive in the place and time when those comics were made, certainly not in Europe in 1930's (vide TinTin). Reminder that blackface was still deemed acceptable enough for US comedians to do in the 90's. Why would you expect european artists in the 1930 to adhere to societal norms in USA in 2020's?, almost 100 years later? If in 100 years owning pets will be deemed offensive and unethical, would it be needed to ban any art that has pet ownership in it?

If you can place the art in the context of times it was created, it is clear there was no malice nor racism intended.
 
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Oglooger

One of few based™ oldfags
True & Honest Fan
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DJ Grelle

MONKE leader of GANG RETARD
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This thread is marginalizing an oppressed people. The Flemish have been oppressed by the Spanish (colonizers) the french (colonizers) the Germans (I don't need to say how evil THEY are) and then the Walloons (french colonialists). Belgium was a french apartheid state where the Flemish majority could be exploited by the colonizing french. To marginalize these experiences is the height of racism and white supremacy. The colonialist Netherlands sometimes say that Africa starts under the Rhine, this is a reference to how the Flemish were oppressed by all kinds of colonizing and exploiting white supremacists.

As a Flemish, you need to give me a donation in the form of a thunk-provoking sticker as reparations.
 

WonderGirl

The Wonder Girl
kiwifarms.net
because "blackface" being an offensive carricature is a very recent and very american-centric social norm, it was not considered offensive in the place and time when those comics were made, certainly not in Europe in 1930's (vide TinTin). Reminder that blackface was still deemed acceptable enough for US comedians to do in the 90's. Why would you expect european artists in the 1930 to adhere to societal norms in USA in 2020's?, almost 100 years later? If in 100 years owning pets will be deemed offensive and unethical, would it be needed to ban any art that has pet ownership in it?

If you can place the art in the context of times it was created, it is clear there was no malice nor racism intended.
*Tintin , US comedians don't do blackface in the 90's and today because of one controversy.
 
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