With the explosion of Electronic Dance Music hitting every club across Europe and United States, white nationalists and Neo-Nazis would inevitably catch the wave and produce music for those seeking something outside the saturated Rock genre. Duisburg duo Standarte was perhaps the earliest known Nazi Techno artist best known for the song "Alibaba". This number's been misattributed to several different artists, including some who don't even release Techno at all:
The lyrics spare no details in taking aim at Turks and suggest violence and murder as solutions to the Turkish question.
Predictably, they would soon be indexed and subsequently banned by German law. During the '90s, Standarte was quite prolific and released several tapes and CDs issued by themselves and by labels outside the Fatherland. Their style of Techno was quite minimalistic similar to the Detroit scene from the early '80s. Some songs incorporated Synthpop and Industrial influences here and there.
Years later, some dingus apparently from Sweden named DJ Adolf would put out some tunes around the late '90s and early 2000s. His music is exactly what you'd expect coming from a guy dicking around on Dance eJay with some Hitler samples thrown in for good measure.
After languishing in relative obscurity, DJ Adolf gained a second life following PewDiePie boogieing down to his music January 2017.
Around 2003, Ohio-based DJ-88 emerged as perhaps the first American to make white power Techno for an Anglophone audience. Unlike the raw, minimalistic sounds of Standarte, DJ-88 incorporated more contemporary sounds from '90s Hard Trance as well as Drum and Bass. Apart from his activity on Stormfront between 2003 - 2005 and captures from his official website via the Wayback Machine, little is known about this gentleman. He collaborated with other musicians for several songs of his and even featured other artists' respective Techno songs on dj-88.com.
Plans to release a CD were announced but fell through following some issues with shipping.
As was a problem with many other artists who shared music during the early 2000s, several songs of his have been misattributed to other artists and vice versa. For instance, this song was actually a bonafide DJ-88 original released under the name S.T.A.N.D. Project:
An obscure artist named Wieß Rhythmus released a couple songs hosted on dj-88.com hence the misattribution here:
The lyrics spare no details in taking aim at Turks and suggest violence and murder as solutions to the Turkish question.
Alibaba said:
Predictably, they would soon be indexed and subsequently banned by German law. During the '90s, Standarte was quite prolific and released several tapes and CDs issued by themselves and by labels outside the Fatherland. Their style of Techno was quite minimalistic similar to the Detroit scene from the early '80s. Some songs incorporated Synthpop and Industrial influences here and there.
Years later, some dingus apparently from Sweden named DJ Adolf would put out some tunes around the late '90s and early 2000s. His music is exactly what you'd expect coming from a guy dicking around on Dance eJay with some Hitler samples thrown in for good measure.
Around 2003, Ohio-based DJ-88 emerged as perhaps the first American to make white power Techno for an Anglophone audience. Unlike the raw, minimalistic sounds of Standarte, DJ-88 incorporated more contemporary sounds from '90s Hard Trance as well as Drum and Bass. Apart from his activity on Stormfront between 2003 - 2005 and captures from his official website via the Wayback Machine, little is known about this gentleman. He collaborated with other musicians for several songs of his and even featured other artists' respective Techno songs on dj-88.com.
As was a problem with many other artists who shared music during the early 2000s, several songs of his have been misattributed to other artists and vice versa. For instance, this song was actually a bonafide DJ-88 original released under the name S.T.A.N.D. Project:
An obscure artist named Wieß Rhythmus released a couple songs hosted on dj-88.com hence the misattribution here:
