Viddy well, my brothers.
Tron tries to escape the clutches of the MCP (mouse corporate program) while fighting through the countless IPs that The Mouse views as disposable could be metal af
It's more about general audiences and China. They will watch anything that is shiny. I can't want for Dangling Shiny Keys: The Movie to come out anytime now.
Warner Brothers honestly feels like Disney’s annoying little brother that tries to copy what their big brother does in an attempt to be cool, even their fuck ups. If Warner keeps this shit up, maybe they can surpass Sony for the most retarded film studio.
I kinda disagree, Larry, Ewing and Barkley had literally almost the same designs with some subtlety added in their jerseys and heads, Shawn and Bogues stood out because of their design mirroring their real life heights but still looked similar to the the other three.Super progressive for the (obviously black) female characters to look super ugly as hell. I know it's because of "goon" in their name, but holy shit.Say what you want about the Monstars, at least there's a little bit of variety and personality to them.
Personally, I blame the nostalgia spergs, though corporations can be put to blame to this as well. The nostalgia spergs keep on sperging about how the old corporation was better and they wanted the old stuff back (Like for instance, way back then, people sperged they wanted the old Cartoon Network back and they wanted old cartoons to return) and they disliked the new shit and IPs the corporations churned out. This is where companies decide to bank in on nostalgia which is a win-win: Not only they get to crack less new ideas and spend less money, they get to make money from nostalgia spergs and new audiences.
Although yes, no shit, crossovers are there to actually advertise a mass line of their products if you think as such from a marketing perspective, at least put some soul and heart into it that it makes it special. Mario & Rabbids and Who Framed Roger Rabbit were well received not just because of the crossover aspects.
Again, I wish they would've gone the Who Framed Roger Rabbit? route with this movie.
Honestly I think it would've been better if the "Goon Squad" in this movie were characters from other IPs (perhaps the Hannah Barbara characters) since at least that would give all the random IPs a point in the movie beyond "AUDIENCE LOOK IT'S THAT THING YOU LIKE THAT IS IN THE MOVIE FOR 5 SECONDS!"
As said earlier by someone else in the thread I think this could only work well for the Lego Movies since at least most of those movies in universe were things made by a kid so of course there'd be other IPs since little kids would do that stuff, I think this is more comparable to Wreck it Ralph 2 as the first movie had other IPs as well but it was more justified in it since the IPs were exclusively for video games while the sequel forced in other Disney properties. This is like how the original Space Jam had references to both Basketball and Looney Tunes while the sequel is Warner forcing in references to their properties to show how extensive their libraries are.
That's actually what people were speculating when the original set pics featuring Pennywise and Joker came out, And yet, even with all of their retarde ddecisions as of late, Warner and the film's writers didn't follow up on that and actually somehow made it even more retarded. Part of me is wondering if it was supposed to be like that, but WB went "fuck that, just do what we did on Ready Player One!"
How much input did Warner have on rpo though? Not only was
The tweets:
I don't think Wreck it Ralph is on the same level as RP1 or Space Jam 2. Ralph's character actually have a point in the context of film beyond "member???" whereas the others are literally just there for cameos.
It's a fine line honestly. It really all comes down to whether you're comfortable with it or not.
