Moonlight director takes over. Be prepared for Simba to fuck a gay lion.
Fuck you! I remember it BIGLY. In UPENDI and Not One of Us are better songs that 90% of what's in the original movie, and I still love the original movie.The first Lion King remake was so poorly produced that Adum from YMS is still finding new shit to criticize during his dissections, prompting him to delay his review of it by more months. Considering this is a sequel that barely anyone remembers, what makes them think this will do just as well, if not better, than the 2019 remake of the first one?
The movie will be a continuation of the studio’s 2019 photorealistic remake, rather than the 1994 cartoon.
Sources say the new movie will partly focus on the early years of Mufasa, the regal father of Simba whose death forms the emotional heart of the first film and its remake. Jeff Nathanson, who wrote the screenplay for the 2019 movie, is returning to write the follow-up.
Unpopular Opinion: Timone & Pumba was the ONLY good thing about The Lion King and the T&P Cartoon was just as enjoyable to watch. So of course I loved 1&1/2People better remember The Lion King 1&1/2 and it was even in theaters.
EXCLUSIVE: The Walt Disney Studios has set Oscar winner Barry Jenkins to direct the studio’s follow-up to the 2019 blockbuster The Lion King. Jeff Nathanson, who scripted the last installment, is back in the fold and has completed an initial draft of script. Jenkins won the Oscar for scripting the Best Picture winner Moonlight and was nominated for adapting If Beale Street Could Talk (he directed both).
The film will continue with the photo-realistic technology that director Jon Favreau used in the 2019 film and 2016’s The Jungle Book. There is no release date set for The Lion King follow-up or for the production start, but it is understandably a top priority for Sean Bailey’s division after the last film grossed $1.6 billion worldwide.
They are keeping the logline under wraps, but I’m told that the story will further explore the mythology of the characters, including Mufasa’s origin story. Moving the story forward while looking back conjures memories of The Godfather: Part II, set on the African plain with a continuation of the tradition of music that was a key part of the 1994 animated classic, the 2019 film and the blockbuster Broadway stage transfer.
This is Jenkins’ second film project at Disney, as he is also planning to direct a biopic of famed choreographer Alvin Ailey for Searchlight. Jenkins has completed for Amazon a limited series adaptation of Colson Whitehead’s National Book Award- and Pulitzer-winning The Underground Railroad, directing all the episodes and writing several of them. Jenkins has separately scripted a drama based on the first American female Olympic boxing champ, Clarissa “T-Rex” Shields, and an adaptation of Netflix documentary Virunga, about the battle to save the Congo’s mountain gorilla population.
