Not to mention the general quality of books that large publishers tend to push. Anything worth reading these days is either niche or old.I don't think books are dying. If stats say otherwise, I'd imagine that book piracy, audiobooks and people just reading old stuff is the culprit.
We had the usual cadre of freaks in the class - prime fodder for the English department of any elite university. Two 'non binaries' excluding the previously mentioned professor, one turbo dyke, a couple of soy faggots, various fat girl danger hairs, and one I suspect MtF troon (never confirmed, but I had a strong ass suspicion.)You had my curiosity, but now you have my FULL attention.
Sentimental value.Imagine having books in your house instead of just one original gen Nook.
I don't really get why Haruki Murakami's stuff is so popular.
I used to work with a guy who was a huge fan. He was the most delightful, adorable, weirdo older dude ever, I just loved him.I don't really get why Haruki Murakami's stuff is so popular.
That's funny you say that. I do tend to find people who like Murakami to be very fun people. Again, his books just don't make sense to me. I guess they're more about an atmosphere than actual plot?I used to work with a guy who was a huge fan. He was the most delightful, adorable, weirdo older dude ever, I just loved him.
Funny enough, he was more entertainment than Murakami's books themselves to me.
Yes, amosphere, spiritual stuff. And the work tends to be presented in a not straightforward way. Far more character focused than plot.I guess they're more about an atmosphere than actual plot?
People like things that make them feel strongly. Of Mice and Men is depressing but that's a strong feeling, memorable.I am sure this is mentioned but I do not understand popularity of Catcher in the Rye. I read it many times because I am told it is amazing American book. I just want to smack the little shit. I would not mind it but many times people try to explain to me the book as if they can say the right things to make me like it.
Also, I do not understand why "Of Mice and Men" is popular. It is depressing as fuck book. "Crime and Punishment" is a romantic comedy compared to Mice and Men.
I am not sure if he is popular, but PK Dick I like a lot. The movies they made of his books are never good generally, but his books I enjoy. "A Scanner Darkly" was first American fiction I ever read.
I think you're kinda going in a bit too literal. It's stated that all media has had anything challenging/offensive/thought-inducing stripped out of it. Theater, for example, is directly referenced to undergoing this process with this line from Captain Beatty:"Fahrenheit 451" is overrated. People love talking about how it predicted modern SJWs, but that's just a coincidence, cause it's main point is not censorship, but Bradbury's fear of technology.
I mean, think about it, why are only books being destroyed and not anything that could possibly be offensive, like cinema and music? It's like he implies that the fact that they're printed on paper somehow makes books special. I guess "50 shades if grey" is a more thought-provoking piece of media, than, say, "Citizen Kane".
Or why wouldn't literature be integrated into this system providing quick entertainment to the masses? Or do books somehow lose their magical thunkful property when they aren't stored on paper(e-books weren't around yet, but microfiche and audiobooks were already available, I think)? Or how do people study to design and produce the marvels of technology they have if books are banned?
Anyway, once you start thinking about it, its premise starts sounding questionable. However, book-burning sounds really dramatic.
Empty the theatres save for clowns and furnish the rooms with glass walls and pretty colours running up and down the walls like confetti or blood or sherry or sauterne...
A lot of the great sci-fi writers are ones that don't think technology is inherently virtuous. Bradbury was like that - see "The Veldt," for example.At times it does come across as a bit technophobic, I do actually agree with that point, but I think that Bradbury was more trying to criticize how new technologies were being used than necessarily the existence of new technologies overall.
William Gibson and many of the OG cyberpunks were overtly technophobic to almost Uncle Ted levels.A lot of the great sci-fi writers are ones that don't think technology is inherently virtuous. Bradbury was like that - see "The Veldt," for example.