Or who sang “Creep” while on a drunken (though, possibly drugged out) bingeI’ve never met a person who liked more than a few Radiohead songs that wasn’t a total insufferable faggot
I have never met a single black person that listened to Ornette Coleman. A few noisy horns on The National Anthem does not free jazz make, not to mention there have been PLENTY of bands before Radiohead that did that. And bingo to that last sentence.As soon as I saw the title I knew it would use the band members namedropping Ornette Coleman/Miles Davis/whoever in the 90s to make the case that there's some nebulous lineage from jazz to Radiohead.
As if blues and a bit of jazz isn't already encoded into the DNA of rock n roll in general. If you played MC5 for somebody who doesn't know about music and told them the band was black, they wouldn't think twice about it.
Radiohead just understood what impresses middlebrow musos enough that they knew to signal it.
is it?As if blues and a bit of jazz isn't already encoded into the DNA of rock n roll in general.
the only good Jazz comes from an anime soundtrack... made by a Japanese woman.As soon as I saw the title I knew it would use the band members namedropping Ornette Coleman/Miles Davis/whoever in the 90s to make the case that there's some nebulous lineage from jazz to Radiohead.
they are just not offending shit...Radiohead just understood what impresses middlebrow musos enough that they knew to signal it.
they have a to rich instrument sound for a black band...If you played MC5 for somebody who doesn't know about music and told them the band was black, they wouldn't think twice about it.
Wokesters can't enjoy anything unless they made them in their own image.Author said:...as a Black girl Radiohead fan,
Anyone who read "Orbiting", Alex Ross's article on Radiohead in his book Listen To This, will see that they've made random, pseudo-erudite name-dropping into an art.As soon as I saw the title I knew it would use the band members namedropping Ornette Coleman/Miles Davis/whoever in the 90s to make the case that there's some nebulous lineage from jazz to Radiohead.
Mark E. Smith never asked for his n-word pass.The Fall
Mark E. Smith never asked for his n-word pass.
It's honestly a shame we didn't get more bands like Living Colour. William DuVall and Howard Jones are trying to fill the gap but we really, really need more black rockers.Of all the ways we failed to integrate black people, not teaching them to like Bon Jovi, Bob Seger & Kansas was probably our greatest mistake.
This is cultural appropriation!
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Three, actually.I’m going to be that guy and admit that I’ve never understood the appeal of Radiohead. I’ve never been a fan. As far as “blackest” white band (why would anyone ever want to be labeled as such) goes, why not something like The Dave Matthews Band? They even have a black band member, if I recall.